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Biography  Soprano Channa Malkin is known for her compelling musical personality and unbridled creativity. She was recently praised by Opera Today for “her pure and smooth voice, but full of feeling.” She excels in a broad repertoire, from Italian baroque opera to Sephardic chamber music. A recent nominee of the Grachtenfestivalprijs 2020...read more

Representation details:

Interartists Amsterdam
Biography  Soprano Channa Malkin is known for her compelling musical personality and unbridled creativity. She was recently praised by Opera Today for “her pure and smooth voice, but full of feeling.” She excels in a broad repertoire, from Italian baroque opera to Sephardic chamber music. A recent nominee of the Grachtenfestivalprijs 2020...read more

Representation details:

Interartists Amsterdam

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Future repertoire (5)

 
Composer & WorkRoleType
Händel
AriodanteDalindaprepared
OrlandoDorindaprepared
Mozart
Le nozze di FigaroSusannaprepared

Repertoire (20)

 
Composer & WorkRoleProductions
Bach,JS
Magnificat BWV 243Sopran1
Matthäus-PassionSopran1
Bernstein
Chichester PsalmsBoy Solo1
Britten
Peter GrimesNiece II1

Videos (13)

 

Photos (13)

 

Reviews (5)

 
20 May 2021www.volkskrant.nlJenny CammilieriOn This is not a lullaby, Channa Malkin sings songs that deserve wider acclaim (4 stars)
Listening to Channa Malkin's clear and flowing voice is a true pleasure, but her new album dedicated to her son is much more than an esthetic experience. In Russian songs, the Dutch soprano explores both various aspects of motherhood as well as her Eastern-European Jewish roots. The texts are about overwhelming motherly love, but also about displacement, child abandonment and suicide.
01 August 2021operatoday.comClaire SeymourThis is not a lullaby: Dutch soprano Channa Malkin challenges and soothes
The Dutch soprano Channa Malkin explores aspects of motherhood and maternal love in This is not a lullaby, an album of songs by Mieczysław Weinberg, Sir John Tavener and her father Josef Malkin ... Malkin’s soprano is pure and smooth but full of feeling. The song grows compellingly from quiet reflectiveness to fervent melodising, soaring to the stratosphere and then plunging low, neither registral extreme troubling Malkin who sings with impressive focus. The vocal line and the cello’s double-stopped slitherings blend beautifully in ‘Pushkin and Lermontov’ and again Malkin’s registral range and sheer power and presence are stunning. This is a disc which not only intrigues and satisfies, but one which promises much more to come. Malkin will undoubtedly create new projects which bring interesting repertoire, of personal significance and meaning, together in interesting and inspiring ways.

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