Jennifer Johnston, Mezzo-soprano
Jennifer Johnston

Jennifer Johnston

Mezzo-soprano
Bio: JENNIFER JOHNSTON Mezzo-soprano/Contralto Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She is particularly associated with the Bayerische Staatsoper and its distinguished musical director Kirill Petrenko, where her roles have included Second Norn, Roßweise, Floßhilde, Hedwige and La Ciesca. She has appeared in opera at the Teatro alla Scala (Mrs Grose/The Turn of the Screw, Gaia/CO2), Salzburg Festival (Carmi/La Betulia Liberata, Lady de Hautdesert/Gawain, Leda/Die Liebe Der Danae) and Festival d’Aix-en-Provence (Dido/Dido and Aeneas), amongst others. A prolific concert performer, she has performed with many of the world’s greatest orchestras and conductors, including Jocaste in Stravinsky’s Oedipus Rex (Sir John Eliot Gardiner/Berlin Philharmonic & London Symphony Orchestras, released as an LSO Live disc), Beethoven’s Missa Solemnis (Sir John Eliot Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven’s Ninth Symphony (Welser-Möst/Cleveland and Royal Stockholm Philharmonic Orchestras, Sir John Eliot Gardiner/Orchestre Revolutionnaire et Romantique), Waltraute in Wagner’s Die Walküre (Sir Simon Rattle/Bayerische Rundfunks Symphony Orchestra and on disc), Wagner’s Wesendonck Lieder (Kalmar/Royal Liverpool Philharmonic Orchestra, Brabbins/BBC Philharmonic Orchestra, Dausgaard/BBC National Orchestra Of Wales), Mahler’s Second Symphony (Zinman/Vienna Symphony Orchestra, Lintu/Finnish Radio Symphony Orchestra, De la Parra/London Philharmonic Orchestra), Mahler’s Third Symphony (Welser-Möst/Cleveland Orchestra, Zinman/Orchestre National de Lyon), Mahler’s Eighth Symphony (Welser-Möst/Vienna Philharmonic Orchestra), Mahler’s Rückert Lieder (Zinman/Vienna Symphony Orchestra, Kalmar/Royal Liverpool Philharmonic Orchestra, Sondergard/Royal Scottish National Orchestra), Mahler’s Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), Elgar’s Sea Pictures (Sir Jeffrey Tate/Hamburg Symphony Orchestra), Elgar’s The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra, Hill/Bournemouth Symphony Orchestra), Verdi’s Requiem (Gardner/Bergen Philharmonic Orchestra, Slatkin/Orchestra National de Lyon), Schumann’s Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann’s Faustszenen (Harding/Gewandhausorchester and Vienna Symphony Orchestra, Schonwandt/Danish Radio Symphony Orchestra), Adès’s Totentanz (Adès/Royal Concertgebouw Orchestra, Harding/Swedish Radio Symphony Orchestra), and Pasqualita in Adams’ Doctor Atomic (Adams/BBC Symphony Orchestra, recorded for Nonesuch). She made her solo recital debut at the Wigmore Hall accompanied by Joseph Middleton and broadcast live on BBC Radio 3. She is a founder member of The Prince Consort, with whom she has recorded for Linn Records, and has appeared in recital at Wigmore Hall, the Concertgebouw and the Aldeburgh Festival. Her extensive discography includes Anthony Payne’s arrangement of Vaughan Williams’ Four Last Songs with the BBC Symphony Orchestra under Martyn Brabbins for Albion Records, which she premiered at the BBC Proms (Vänska/BBCSO) and which was nominated for a Grammy Award. Jennifer’s engagements in Season 2019-20 include Brigitta in a new production of Korngold’s Die Tote Stadt, and Hedwige in Rossini’s Guillaume Tell, both at the Bayerische Staatsoper, Baba the Turk in Stravinsky’s The Rake’s Progress at the Glyndebourne Festival, Auntie in Britten’s Peter Grimes at Oper Frankfurt, Janacek’s Glagolitic Mass at the First Night of the Proms (Kanellakis/BBC Symphony Orchestra), Beethoven’s Ninth Symphony (Welser-Möst/Royal Concertgebouw Orchestra, Stutzmann/Bamberg Symphony Orchestra), Mahler’s Das Lied Von Der Erde (on tour with Treviño/Basque National Orchestra), Mahler’s Second Symphony (Hrůša/Philharmonia Orchestra), Mahler’s Third Symphony (Treviño/RTE Symphony Orchestra), Mahler’s Eight Symphony (K. Petrenko/Bayerische Staatsorchester), Stravinsky’s Oedipus Rex (Treviño/Malmö Symphony Orchestra), Verdi’s Requiem (Farnes/BBC National Orchestra Of Wales), Beethoven’s Opferlied (Gernon/BBC Philharmonic Orchestra) and Elgar’s Sea Pictures (Hill/Bournemouth Symphony Orchestra). She will be Artist in Residence at the Royal Liverpool Philharmonic Orchestra, for whom she will sing Mahler’s Second and Third Symphonies (V. Petrenko), Beethoven’s Ninth Symphony (Stutzmann), Messiah (Jeannin), and a recital with Joseph Middleton at St George’s Hall. Her debut solo disc, A Love Letter To Liverpool, will be released in September 2019 by Rubicon Classics. For the most up-to-date biography, please contact us. This biography should not be edited without permission from Askonas Holt. For the most up-to-date biography, please contact us. This biography should not be edited without permission from Askonas Holt. NATHAN MORRISON / AUGUST 201
...More
Bio: JENNIFER JOHNSTON Mezzo-soprano/Contralto Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She is particularly associated with the Bayerische Staatsoper and its distinguished musical director Kirill Petrenko, where her roles have included Second Norn, Roßweise, Floßhilde, Hedwige and La Ciesca. She has appeared in opera at the Teatro alla Scala (Mrs Grose/The Turn of the Screw, Gaia/CO2), Salzburg Festival (Carmi/La Betulia Liberata, Lady de Hautdesert/Gawain, Leda/Die Liebe Der Danae) and Festival d’Aix-en-Provence (Dido/Dido and Aeneas), amongst others. A prolific concert performer, she has performed with many of the world’s greatest orchestras and conductors, including Jocaste in Stravinsky’s Oedipus Rex (Sir John Eliot Gardiner/Berlin Philharmonic & London Symphony Orchestras, released as an LSO Live disc), Beethoven’s Missa Solemnis (Sir John Eliot Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven’s Ninth Symphony (Welser-Möst/Cleveland and Royal Stockholm Philharmonic Orchestras, Sir John Eliot Gardiner/Orchestre Revolutionnaire et Romantique), Waltraute in Wagner’s Die Walküre (Sir Simon Rattle/Bayerische Rundfunks Symphony Orchestra and on disc), Wagner’s Wesendonck Lieder (Kalmar/Royal Liverpool Philharmonic Orchestra, Brabbins/BBC Philharmonic Orchestra, Dausgaard/BBC National Orchestra Of Wales), Mahler’s Second Symphony (Zinman/Vienna Symphony Orchestra, Lintu/Finnish Radio Symphony Orchestra, De la Parra/London Philharmonic Orchestra), Mahler’s Third Symphony (Welser-Möst/Cleveland Orchestra, Zinman/Orchestre National de Lyon), Mahler’s Eighth Symphony (Welser-Möst/Vienna Philharmonic Orchestra), Mahler’s Rückert Lieder (Zinman/Vienna Symphony Orchestra, Kalmar/Royal Liverpool Philharmonic Orchestra, Sondergard/Royal Scottish National Orchestra), Mahler’s Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), Elgar’s Sea Pictures (Sir Jeffrey Tate/Hamburg Symphony Orchestra), Elgar’s The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra, Hill/Bournemouth Symphony Orchestra), Verdi’s Requiem (Gardner/Bergen Philharmonic Orchestra, Slatkin/Orchestra National de Lyon), Schumann’s Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann’s Faustszenen (Harding/Gewandhausorchester and Vienna Symphony Orchestra, Schonwandt/Danish Radio Symphony Orchestra), Adès’s Totentanz (Adès/Royal Concertgebouw Orchestra, Harding/Swedish Radio Symphony Orchestra), and Pasqualita in Adams’ Doctor Atomic (Adams/BBC Symphony Orchestra, recorded for Nonesuch). She made her solo recital debut at the Wigmore Hall accompanied by Joseph Middleton and broadcast live on BBC Radio 3. She is a founder member of The Prince Consort, with whom she has recorded for Linn Records, and has appeared in recital at Wigmore Hall, the Concertgebouw and the Aldeburgh Festival. Her extensive discography includes Anthony Payne’s arrangement of Vaughan Williams’ Four Last Songs with the BBC Symphony Orchestra under Martyn Brabbins for Albion Records, which she premiered at the BBC Proms (Vänska/BBCSO) and which was nominated for a Grammy Award. Jennifer’s engagements in Season 2019-20 include Brigitta in a new production of Korngold’s Die Tote Stadt, and Hedwige in Rossini’s Guillaume Tell, both at the Bayerische Staatsoper, Baba the Turk in Stravinsky’s The Rake’s Progress at the Glyndebourne Festival, Auntie in Britten’s Peter Grimes at Oper Frankfurt, Janacek’s Glagolitic Mass at the First Night of the Proms (Kanellakis/BBC Symphony Orchestra), Beethoven’s Ninth Symphony (Welser-Möst/Royal Concertgebouw Orchestra, Stutzmann/Bamberg Symphony Orchestra), Mahler’s Das Lied Von Der Erde (on tour with Treviño/Basque National Orchestra), Mahler’s Second Symphony (Hrůša/Philharmonia Orchestra), Mahler’s Third Symphony (Treviño/RTE Symphony Orchestra), Mahler’s Eight Symphony (K. Petrenko/Bayerische Staatsorchester), Stravinsky’s Oedipus Rex (Treviño/Malmö Symphony Orchestra), Verdi’s Requiem (Farnes/BBC National Orchestra Of Wales), Beethoven’s Opferlied (Gernon/BBC Philharmonic Orchestra) and Elgar’s Sea Pictures (Hill/Bournemouth Symphony Orchestra). She will be Artist in Residence at the Royal Liverpool Philharmonic Orchestra, for whom she will sing Mahler’s Second and Third Symphonies (V. Petrenko), Beethoven’s Ninth Symphony (Stutzmann), Messiah (Jeannin), and a recital with Joseph Middleton at St George’s Hall. Her debut solo disc, A Love Letter To Liverpool, will be released in September 2019 by Rubicon Classics. For the most up-to-date biography, please contact us. This biography should not be edited without permission from Askonas Holt. For the most up-to-date biography, please contact us. This biography should not be edited without permission from Askonas Holt. NATHAN MORRISON / AUGUST 201
...More

maskFrom arts organisation / verified by Operabase

m
 Matinée
t
 Tour
c
 Concert

mask From artist / agent

Repertoire

Composer & WorkRoleProductions
Adams
Doctor AtomicPasqualita1
El NiñoMezzo-Soprano
Battistelli
CO2Gaia1
Beethoven
9. Sinfonie in d-Moll op. 125Alt1

Biography

Jennifer Johnston
Jennifer Johnston
Mezzo-soprano
Full name: Jennifer Johnston

Videos

Images

Reviews

"A Journeywoman’s Tale, performed by mezzo-soprano, Jennifer Johnston, accompanied by pianist, Joseph Middleton, is a musical exploration of home, travel and homesickness. Performed in the beautiful St George’s Hall Concert Room, the themes are particularly relevant to Liverpool, a port city whose society is built on a foundation of migration. Johnston’s powerful soprano tones are beautifully complemented by Middleton’s piano, as the rise and fall of emotions associated with the themes of the evening are explored. The first half of the concert is comprised of songs in English, while the second half has a very different tone with songs sung in German."
Donna M Day
"Urlicht really was uncommonly rapt here, perhaps a surprise given how powerful the first three movements of the symphony had largely been. Hrůša didn’t so much take the orchestra into quieter territory but pulled them down like a force of nature. I think it made Jennifer Johnston all the more sumptuous because of that, her voice seeming just a little larger than life and we usually experience in this movement. The darkness of her tone, those plump lower notes with a beautifully supported upper range which floated exquisitely mirrored so much of what Hrůša had been doing with the orchestra. That depth in Johnston’s bottom register was articulated on the lower strings; she was always involving, the Philharmonia never elementary."
Marc Bridle

Contact

FAQ's

  • I am an artistHow can I add performances, repertoire, photos, manage my personal contact information? Click Here
  • I am an agentHow can I add my personal and office contact details, update my artist roster? Click Here
  • I am a professional at a theatre, festival, orchestraHow can I use a professional casting tool? Click Here
© 2021 Operabase Media Limited or its affiliated companies. All rights reserved.