Jennifer O'Loughlin
Soprano
Bio: American soprano Jennifer O’Loughlin has received critical acclaim for her performances in Europe, America, and Japan. In the 2018–19 season, Ms. O’Loughlin made her debut with the RNO at the Tchaikovsky Concert Hall in Moscow singing Cunegonde in Bernstein’s Candide followed by concerts with the Gottlob-Frick Society Ölbronn and Heilbronner Sinfonie Orchester. She returned to the Deutsche Oper am Rhein to reprise her performance of Konstanze in Die Entführung aus dem Serail and opened the recital series at Staatstheater am Gaertnerplatz with a program entitled “Late Romantic Dreams” with songs by Rachmaninoff and American composers. In December, she returned to Baltimore to sing Handel’s Messiah with the Baltimore Symphony Orchestra which was recorded and released on the Naxos Label. Ms. O’Loughlin debuted with the Prague Royal Philharmonic performing Carmina Burana as well as with Oper Graz singing the title role in their new production of Flotow’s Martha. Most recently she sang Frau Hasentreffer in a new production of Hans Werner Henze’s Der Junge Lord directed by Brigitte Fassbaender also at Staatstheater am Gärtnerplatz. Other important performances this season include her reprisals of Donna Anna, Martha, Fiordiligi, Leila and the title role in the 2018 production of Maria Stuarda at Staatstheater am Gärtnerplatz for which she received this stunning review in Opera News:
“Few sopranos can deliver music and text of this difficulty with such supreme understanding and astonishing, goosebump-raising virtuosity. The evenness of her registers, the strength of her singular vocal timbre, hypnotic and sumptuous, all contributed to an overwhelming performance.” (Jeffrey A. Leipsic, Opera News)
Upcoming engagements for Ms. O’Loughlin include Gilda in a new production of Rigoletto as well as a staged version of Haendel’s Messiah both at Staatstheater am Gärtnerplatz. Ms. O’Loughlin will also reprise Amina in Gärtnerplatz Theater’s award winning production _La Sonnambula a_nd sing Cunegonde in a staged production of Candide. On the stage of the Philharmonie of Gasteig, she will sing two concerts promoted by MuenchenMusik: „Letzte Nacht des Jahres“ (New Year’s Eve 2019) with the Münchner Symphonikern und „Belcanto Operngala“ in February with the Prague Royal Philharmonic.
In the 2017–2018 season, Ms. O’Loughlin made her debut with the Deutsche Oper am Rhein singing Konstanze in Die Entführung aus dem Serail and with Teatro Massimo in Palermo as Tytania in Benjamin Britten’s A Midsummer Night’s Dream. She also returned to Tokyo to sing Adele in Die Fledermaus with the New National Theater Tokyo.
In 2016 she debuted at Palau de les Arts Reina Sofía in Valencia also as Tytania in Paul Curran’s stunning production of Britten’s A Midsummer Night’s Dream under the baton of Roberto Abbado. During her time in Valencia, Maestro Abbado invited Ms. O’Loughlin to collaborate with Elīna Garanča on her Deutsche Grammophon recording entitled Revive.
Other important roles include: Semele in Händels Semele, Zerbinetta in Ariadne auf Naxos, Frau Fluth in Die Lustigen Weiber von Windsor and Susanna in Le nozze di Figaro.
She has sung at the Bavarian State Opera, Théâtre du Capitole Toulouse, the Grand Théâtre de Genève, the Vienna State Opera, and The Salzburg and Bregenz Festivals as well as with the ORF Vienna Radio Symphony Orchestra, the Danish National Chamber Orchestra, the Tonkünstler Orchestra, the Prague Symphony Orchestra, and with conductors: Manfred Honeck, Kirill Petrenko, Zubin Mehta, James Conlon, Daniel Harding, Roberto Abbado, Fabio Biondi, Cornelius Meister, Kristyan Järvi, and Nikolaus Harnoncourt.
A series of concert hall debuts began in spring 2015 with Pergolesi’s_ Stabat Mater p_erformed with the RAI Orchestra Sinfonica Nationale in Torino followed by Carmina Burana at the International George Enescu Festival in Bucharest and Handel’s Messiah with the Baltimore Symphony Orchestra.
In 2014 with Vesselina Kasarova, Ms. O’Loughlin performed the Flower Duet from Lakme for the Red Ribbon Celebration Concert a well as singing for the opening of the Life Ball in Vienna. In 2013, she received the Maria Callas Prize for her performance of the Mad Scene from Lucia di Lammermoor at the PARIS OPERA AWARDS and was nominated as Best Female Lead by the Austrian Music Theater Awards for her performance of Cunegonde in Candide at the Vienna Volksoper.
Ms. O’Loughlin earned a Bachelor of Music degree at the Peabody Conservatory where she studied with Ruth Drucker and a Master of Music degree at the Manhattan School of Music where she studied with Joan Patenaude-Yarnell. She received a Karajan Foundation grant to attend the International Zürich Opera Studio and subsequently became an ensemble member at the Vienna Volksoper. She currently collaborates with Mark Markham.
Ms. O’Loughlin can be heard on Elina Garanča’s Deutsche Grammophon recording Revive, Acide by Haydn with the Haydn Sinfonietta Wien (BIS label), Mass by L. Bernstein with the Tonkünstler Orchestra (Chandos label) and the DVD of Rienzi at the Théâtre du Capitole in Toulouse (Opus Arte).
Last update: 2019-10-15 18:53:21 +00:00
Bio: American soprano Jennifer O’Loughlin has received critical acclaim for her performances in Europe, America, and Japan. In the 2018–19 season, Ms. O’Loughlin made her debut with the RNO at the Tchaikovsky Concert Hall in Moscow singing Cunegonde in Bernstein’s Candide followed by concerts with the Gottlob-Frick Society Ölbronn and Heilbronner Sinfonie Orchester. She returned to the Deutsche Oper am Rhein to reprise her performance of Konstanze in Die Entführung aus dem Serail and opened the recital series at Staatstheater am Gaertnerplatz with a program entitled “Late Romantic Dreams” with songs by Rachmaninoff and American composers. In December, she returned to Baltimore to sing Handel’s Messiah with the Baltimore Symphony Orchestra which was recorded and released on the Naxos Label. Ms. O’Loughlin debuted with the Prague Royal Philharmonic performing Carmina Burana as well as with Oper Graz singing the title role in their new production of Flotow’s Martha. Most recently she sang Frau Hasentreffer in a new production of Hans Werner Henze’s Der Junge Lord directed by Brigitte Fassbaender also at Staatstheater am Gärtnerplatz. Other important performances this season include her reprisals of Donna Anna, Martha, Fiordiligi, Leila and the title role in the 2018 production of Maria Stuarda at Staatstheater am Gärtnerplatz for which she received this stunning review in Opera News:
“Few sopranos can deliver music and text of this difficulty with such supreme understanding and astonishing, goosebump-raising virtuosity. The evenness of her registers, the strength of her singular vocal timbre, hypnotic and sumptuous, all contributed to an overwhelming performance.” (Jeffrey A. Leipsic, Opera News)
Upcoming engagements for Ms. O’Loughlin include Gilda in a new production of Rigoletto as well as a staged version of Haendel’s Messiah both at Staatstheater am Gärtnerplatz. Ms. O’Loughlin will also reprise Amina in Gärtnerplatz Theater’s award winning production _La Sonnambula a_nd sing Cunegonde in a staged production of Candide. On the stage of the Philharmonie of Gasteig, she will sing two concerts promoted by MuenchenMusik: „Letzte Nacht des Jahres“ (New Year’s Eve 2019) with the Münchner Symphonikern und „Belcanto Operngala“ in February with the Prague Royal Philharmonic.
In the 2017–2018 season, Ms. O’Loughlin made her debut with the Deutsche Oper am Rhein singing Konstanze in Die Entführung aus dem Serail and with Teatro Massimo in Palermo as Tytania in Benjamin Britten’s A Midsummer Night’s Dream. She also returned to Tokyo to sing Adele in Die Fledermaus with the New National Theater Tokyo.
In 2016 she debuted at Palau de les Arts Reina Sofía in Valencia also as Tytania in Paul Curran’s stunning production of Britten’s A Midsummer Night’s Dream under the baton of Roberto Abbado. During her time in Valencia, Maestro Abbado invited Ms. O’Loughlin to collaborate with Elīna Garanča on her Deutsche Grammophon recording entitled Revive.
Other important roles include: Semele in Händels Semele, Zerbinetta in Ariadne auf Naxos, Frau Fluth in Die Lustigen Weiber von Windsor and Susanna in Le nozze di Figaro.
She has sung at the Bavarian State Opera, Théâtre du Capitole Toulouse, the Grand Théâtre de Genève, the Vienna State Opera, and The Salzburg and Bregenz Festivals as well as with the ORF Vienna Radio Symphony Orchestra, the Danish National Chamber Orchestra, the Tonkünstler Orchestra, the Prague Symphony Orchestra, and with conductors: Manfred Honeck, Kirill Petrenko, Zubin Mehta, James Conlon, Daniel Harding, Roberto Abbado, Fabio Biondi, Cornelius Meister, Kristyan Järvi, and Nikolaus Harnoncourt.
A series of concert hall debuts began in spring 2015 with Pergolesi’s_ Stabat Mater p_erformed with the RAI Orchestra Sinfonica Nationale in Torino followed by Carmina Burana at the International George Enescu Festival in Bucharest and Handel’s Messiah with the Baltimore Symphony Orchestra.
In 2014 with Vesselina Kasarova, Ms. O’Loughlin performed the Flower Duet from Lakme for the Red Ribbon Celebration Concert a well as singing for the opening of the Life Ball in Vienna. In 2013, she received the Maria Callas Prize for her performance of the Mad Scene from Lucia di Lammermoor at the PARIS OPERA AWARDS and was nominated as Best Female Lead by the Austrian Music Theater Awards for her performance of Cunegonde in Candide at the Vienna Volksoper.
Ms. O’Loughlin earned a Bachelor of Music degree at the Peabody Conservatory where she studied with Ruth Drucker and a Master of Music degree at the Manhattan School of Music where she studied with Joan Patenaude-Yarnell. She received a Karajan Foundation grant to attend the International Zürich Opera Studio and subsequently became an ensemble member at the Vienna Volksoper. She currently collaborates with Mark Markham.
Ms. O’Loughlin can be heard on Elina Garanča’s Deutsche Grammophon recording Revive, Acide by Haydn with the Haydn Sinfonietta Wien (BIS label), Mass by L. Bernstein with the Tonkünstler Orchestra (Chandos label) and the DVD of Rienzi at the Théâtre du Capitole in Toulouse (Opus Arte).
Last update: 2019-10-15 18:53:21 +00:00
From arts organisation / verified by Operabase
m
Matinéet
Tourc
Concert
From artist / agent
2 - 19 Jun'22
16 Apr'22 - 16 Jul'22
07 Apr'22 - 15 Jun'22
Die Fledermaus, Strauss II,J
Teatro del Maggio Musicale Fiorentino | Staatstheater am Gärtnerplatz | Munich, Germany | Performances (9)N
CP
27 Jan'22 - 08 Jul'22
| Staatstheater am Gärtnerplatz | Munich, Germany | Performances (9)
N
15 Dec'21 - 27 Jul'22
TicketsPrimadonnen »Die Diven vom Gärtnerplatz«
Concert, Various
| Staatstheater am Gärtnerplatz | Munich, Germany | Performances (3)C
25 Nov'21 - 02 Dec'21
Tickets
| Staatstheater am Gärtnerplatz | Munich, Germany | Performances (3)
N
| Composer & Work | Role | Productions | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| |||||||||||
| |||||||||||
| |||||||||||
....mit der intensiven, klangschönen Gilda von Jennifer O'Loughlin.
....with the intense, beautiful-sounding Gilda by Jennifer O'Loughlin.
https://www.sueddeutsche.de/kultur/oper-das-hohe-c-als-lustschrei-1.4779815
Klaus Kalchschmid
Sueddeutsche
Few sopranos can deliver music and text of this difficulty with such supreme understanding and astonishing, goosebump-raising virtuosity. The evenness of her registers, the strength of her singular vocal timbre, hypnotic and sumptuous, all contributed to an overwhelming performance.
Jeffrey A. Leipsic (Opera News) on Maria Stuarda
Jeffrey A. Leipsic
Opera News
Agency
Artists Management ViennaAgency
CADEMI Artists ManagementAgency
Opera4u.com GmbHFAQ's
- I am an artist: How can I add performances, repertoire, photos, manage my personal contact information? Click Here
- I am an agent: How can I add my personal and office contact details, update my artist roster? Click Here
- I am a professional at a theatre, festival, orchestra: How can I use a professional casting tool? Click Here
Operabase has documented operatic activity worldwide since 1996, with over 500,000 performances on file. It records the work of artists in over 900 theatres, and publishes season information to opera-goers in 31 languages.
Industry Professionals
Pro Tools
Audience
Performances
Industry Professionals
Pro Tools
Audience
Get in touch
© 2021 Operabase Media Limited or its affiliated companies. All rights reserved.