Artists Management Vienna

Aria's di Novella Partacini & Alexandra Plaickner

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Soprano

Maida Hundeling

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Approved

The first night was unbeatably crowned by German soprano Maida Hundeling … She sang securely and beautifully in all registers, she is a charismatic and sophisticated soprano singer in her prime means of expressing emotions, varying from dreamy girl to later a determined woman…” (Novinky.cz)

Soprano Maida Hundeling’s 2018/19 season features several appearances at prestigious opera theaters throughout Europe. She makes her highly anticipated debut at the Royal Opera House as Helmwige in Keith Warner’s production of Wagner’s Die Walküre, led by Antonio Pappano, later reprising the role at the Staatsoper Hamburg conducted by Kent Nagano. She will present her first Brünnhilde (Die Walküre) conducted by Stefan Anton Reck at Teatro Petruzzelli in April 2019. At the Slovak National Theater, she stars in two of her signature Puccini title roles beginning with Tosca led by Martin Leginus then as Turandot later in the season. Hailed as a “top class Elektra” by Online Music Magazine last season, Ms. Hundeling concludes her 2018/19 season singing the title role of Strauss’ Elektra at the Croatian National Theatre in Rijeka.

In 2017/18, she began her season singing Leonore in Beethoven’s Fidelio at the Stadthalle Biberach to great acclaim. She returned to the role of Senta in Wagner’s Der fliegende Holländer at the Theater Lübeck and at the Teatro Petruzzelli di Bari. She was lauded for her portrayal of Strauss’ Elektra at the Staatstheater Braunschweig before returning to her signature title role of Tosca at the National Theatre Brno led by Ondrej Olos, and then at the Thurn und Taxis Schlossfestspiele where she was praised for her “full, dark primed soprano voice” (Mittelbayerische.de). Ms. Hundeling traveled to the The National Moravian-Silesian Theatre to sing Desdemona in Ivan Krejči’s production of Verdi’s Otello, where she received the annual Thalia prize. and following returned to the Slovak National Theater for the title role of Turandot.

Recent highlights on the operatic stage include Maida’s thrilling debut at the Houston Grand Opera as the Foreign Princess (Dvořák’s Rusalka); the title role in Verdi’s Aida at the Schweriner Schlossfestspiele; and Turandot, Elsa (Wagner’s Lohengrin), and Leonore (Fidelio) at the SND Bratislava; and the title roles in Tosca and Janáček’s Jenůfa as well as Aida and Turandot at Hungary’s Bartók Plusz Operafesztivál and with the National Theatre Brno, as well as a concert version of Strauss’ Elektra with the Slovak Philharmonic.

In addition to her singular interpretations of the operatic canon’s most exciting soprano roles, Maida Hundeling is also highly regarded in recital and concert repertoire, including recent performances in Beethoven’s Symphony No. 9 with the Orchestra Sinfonica di Milano Giuseppe Verdi; singing Magna Peccatrix in Mahler’s Eighth Symphony at the Festival Smetanova Litomyšl; featured performances at a Wagner Gala with the Ostravian Philharmonic Orchestra; and recital performances of Wagner’s Wesendonk Lieder for the chamber music programs at Passau and Landshut.

English

Electra

Chrysothemis

Turandot

The Flying Dutchman

Senta

Fidelio

Leonore

Tosca

Floria Tosca

Salome

Rusalka

Cizí kněžna

Jenufa

Jenůfa

Aida

Oberon

Reiza

Lohengrin

Elsa von Brabant

The Tales of Hoffmann

Giulietta

Adriana Lecouvreur

Don Giovanni

Donna Anna

The Greek Passion

Katerina

Wozzeck

Marie

The Cloak

Giorgetta

The Queen of Spades

Liza

The Valkyrie

Helmwige

Othello

Desdemona

Elektra

Brünnhilde

Nabucco

Abigaille

Tristan and Isolde

Isolde

Ortrud

9th Symphony

Ariadne on Naxos

Ariadne

Primadonna

Tannhäuser

Elisabeth

Venus

Rustic Chivalry

Santuzza

No role specified

Lohengrin (reduction)

Ortrude

6 Lieder, op. 17

Voice

4 Songs, op. 27

Wesendonck Songs

Sopran

Four Last Songs

Maida Hundeling / Repertoire

Repertoire

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