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Michel de Souza

Baritone
Biography  Born in Brazil, Michel de Souza won the Maria Callas Vocal Competition in São Paulo and the Margaret Dick and Ye Cronies Competition at the Royal Conservatoire of Scotland, where he attended the Alexander Gibson Opera School, gaining a masters degree in opera with distinction. He went on to join the Jette Parker Young Artists Pr...read more
Biography  Born in Brazil, Michel de Souza won the Maria Callas Vocal Competition in São Paulo and the Margaret Dick and Ye Cronies Competition at the Royal Conservatoire of Scotland, where he attended the Alexander Gibson Opera School, gaining a masters degree in opera with distinction. He went on to join the Jette Parker Young Artists Pr...read more

Performances

 
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Repertoire (33)

 
Composer & WorkRoleProductions
Bizet
CarmenEscamillo1
Britten
A Midsummer Night's DreamStarveling1
Offenbach
La Grande-Duchesse de Gérolstein

The Grand Duchess of Gerolstein

Le baron Grog1
Rossini
Guillaume Tell

William Tell

Leuthold1

Videos (12)

 

Photos (14)

 

Reviews (2)

 
24 June 2022seenandheard-international.comClive Peacock
Nevill Holt Opera’s innovative team stages an outrageously good Barber of Seville
"The versatility of de Souza as singer and actor is remarkable. His electrifying entry aria, ‘Largo al factotum della città’ (‘I am the factotum of the city’), showed how capable he is of playing a wide range of roles. Many will remember him as the domineering, interfering Giorgio Germont for Nevill Holt’s 2019 La traviata. As Figaro he shows his many-sided versatility in abundance, ...
27 June 2022www.planethugill.comRobert Hugill
An afternoon delight: Anna Morrisey's inventive production of Rossini's The Barber of Seville at Nevill Holt Opera, in a finely musical performance conducted by Dinis Sousa
Michel de Souza was a poised and self-possessed Figaro, one who was always in control and delighted in it. De Souza's approach to his famous aria was vividly done, without making too much of the buffo element (easy enough to do given the lively staging), and throughout there was a sense of the character anchoring the action, guiding it and always there was a lively gleam in De Souza'...

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