Properes actuacions Avui Endavant
Actuacions passades 2003 — Ahir
Anna Bolena (Anne Boleyn), Donizetti
Musica Viva SingersAnna Bolena (Anne Boleyn)
Veure elenc i equipDie Zauberflöte (The Magic Flute), Mozart
Teatro Regio di TorinoErste Dame (First lady)
Veure elenc i equipTrilogia Mozart/Da Ponte, Mozart
Teatro Verdi di SalernoLa Contessa di Almaviva (The Countess of Almaviva)
Veure elenc i equipI Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Lithuanian National Opera and Ballet TheatreLorenzo
Veure elenc i equipAnna Bolena (Anne Boleyn), Donizetti
Musica Viva SingersAnna Bolena (Anne Boleyn)
Veure elenc i equipTrilogia Mozart/Da Ponte, Mozart
Teatro Verdi di SalernoLa Contessa di Almaviva (The Countess of Almaviva)
Veure elenc i equipI Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Lithuanian National Opera and Ballet TheatreLorenzo
Veure elenc i equipDon Giovanni, Mozart
Teatro La FeniceZerlina
Veure elenc i equipDj.19:00
Venice, ItalyDs.19:00
Venice, ItalyDt.19:00
Venice, ItalyDj.19:00
Venice, ItalyDs.15:30
Venice, ItalyIl trittico, Puccini
Teatro Regio di TorinoUna amante (A female lover) + 2 rols
Veure programa, repartiment i equipDv.19:30
Turin, ItalyDg.15:00
Turin, ItalyDt.19:30
Turin, ItalyDj.19:30
Turin, ItalyDg.15:00
Turin, ItalyCosì fan tutte, Mozart
The italian soprano is highly appreciated for her Mozart’s and belcanto roles beacause of her crisp musicality, personality on the stage and good taste in phrasing. As a very young soloist of La Scala Academy, she had the chance to take part to many operas and concerts with the greatest world’s musicians (Pelléas et Melisande w. G. Prêtre, Tosca w. L Maazel, then R. Muti, Z. Mehta, G. Dudamel). She performed her first role In La Scala at only 13 years old in Janaček’s The Cunning Little Vixen conducted by Sir A. Davis. She graduated in Flute and Operatic Singing, and majored in Languages and Foreign Literatures at the University of Milan, with a Master in Music and Neurosciences. Very young, she sung Flora in Britten’s The Turn of the Screw for AsLiCo and La Fata Azzurra in Respighi’s La B