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Tenor

Matteo Macchioni

Singer

Artist

Approved

Matteo Macchioni was born in Sassuolo (Modena), and he has been studying music since he was a child. In October 2007 he gets his Master’s degree in pianoforte with honours. During the pianoforte studying years he carries out an intense concert activity and he begins to study Liric singing.
In June 2010 he appears in italian tv talent show “Amici di Maria De Filippi”, then makes his opera debut at “Teatro Giuseppe Verdi” of Salerno as Nemorino in “Elisir D’amore” of Gaetano Donizetti, under the conduction of the Israeli Maestro Daniel Oren. 
In the spring 2011, Matteo meets the bass baritone Natale De Carolis. Under his guide Matteo debuts and performs in the “Trapanese July Musical” Festival  interepreting the role of Ernesto from the “Don Pasquale” of Gaetano Donizetti. In June 2012 gets to the final round of “Toti Dal Monte” international singing contest. In September 2012 makes his successful debut at Stresa Festival, playing the role of the Count of Almaviva in The Barber of Seville by Gioacchino Rossini.

 In 2014 he debuts in Puccini’s opera “Madame Butterfly”, along with a famous international cast, including the famous Soprano Daniela Dessì and the Tenor Fabio Armiliato, and in Mozart’s “Nozze di Figaro” with the Austrian conductor Johannes Wildner. Both operas are on stage at Genoa’s Opera House “Carlo Felice”. Matteo is one of the protagonists of Karol Wojtyla – The true story wich debuts at the Cracovia Opera House on the 2nd of April 2014 to then carry on to Rome, where Pope Giovanni Paolo II’s canonization is celebrated. 
In June 2014, Matteo returns to Geona’s Opera House “Carlo Felice”, to interpret the Count of Almaviva from Baber of Seville by Gioacchino Rossini and in August he debuts in Viaggio a Reims (by the same composer), at the Rossini Opera Festival. In the autumn of the same year he performs Count of Almaviva from The barber of Seville at Verdi Theatre of Padova and Abate di Chazeuil from Adriana Lecouvreur by Francesco Cilea, on tour with “Circuito Lirico Lombardo” in the Theatres of Como (Sociale), Pavia (Fraschini), Cremona (Ponchielli) and Sassari (Verdi).  

In 2015 Matteo sings The Barber of Seville in León (Mexico), he debuts in Britten’s Billy Budd conducted by Andrea Battistoni and directed by Davide Livermore at the Teatro Carlo Felice in Genoa, Mozart’s Don Giovanni (as Don Ottavio) at the Teatro Olimpico in Vicenza, conducted by John Battista Rigon and directed by Lorenzo Regazzo, he also appears in La gazza ladra at the Rossini Opera Festival, conducted by Donato Renzetti and directed by Damiano Michieletto and in The marriage of Figaro directed by Mario Martone and conducted by Stefano Montanari at Como, Cremona, Pavia, Brescia, Bergamo.

In 2016 he sings The marriage of Figaro at Taetro Regio di Parma and Teatro Valli of Reggio Emilia, debuts in Rossini’s La Cenerentola (as Don Ramiro) at Leipzig Oper (Germany), returns at Rossini Opera Festival in august 2016 for a Recital, and debuts in Donizetti’s Olivo e Pasquale at Donizetti Opera Festival in Bergamo.

In 2017 he debuts at Teatro alla Scala in Milan with Rossini’s Gazza Ladra (Isacco) conducted by Riccardo Chailly and staged by Gabriele Salvatores, he sings Ramiro (Cenerentola) at Firenze Opera (Maggio Musicale Fiorentino), debuts in Rossini’s Mosè in Egitto at Bregenzer Festpiele and sings Il Barbiere di Siviglia at Rovigo Opera House.

In 2018 he performs  La Cenerentola at Leipzig Oper, Barbiere di Siviglia at Royal Danish Theatre in Copenhagen, Adina at Rossini Opera Festival, La cenerentola at  Welsh National Opera in Cardiff and on tour in various English cities and he debuts in L’occasione fa il ladro (Conte Alberto) at Tiroler Festspiele in Erl (Austria).

2019 engagements include Don Pasquale at Genova Opera House, Mozart’s Don Giovanni at Theater Freiburg,  Rossini’s Guillaume tell (Ruodi) at Erl Festspiele (Summer Festival) and the debut in Mozart’s Così fan tutte at Royal Danish Opera House in Copenhagen. 
In 2020 after performances in Freiburg and Copenhagen, the pandemic restrictions produce cancellations. In this contest Matteo is ayway able to do concerts Italy and digital projects. 


In 2021 he performs Rossini’s Stabat Mater in Trieste, then he debuts Gianni Schicchi for Centro Studi Busoni in Empoli (Tuscany), Don Giovanni in an open air production near Imperia, then concerts in Italy, Barbiere di Siviglia in Trieste and Don Pasquale in Rovigo. 
Future plans inlcude Don Giovanni in Carpi (Mo), then Rossini’s La Cenerentola at Royal Danish Opera House in Copenhagen.

English

Der in Sassuolo (Modena, Italien) geborene Tenor Matteo Macchioni stand in den vergangenen beiden Spielzeiten u.a. als Ferrando in „Così fan tutte“ am Königlich-Dänischen Opernhaus Kopenhagen, als Don Ottavio in der Wiederaufnahme von „Don Giovanni“ am Theater Freiburg, als Ramiro in „La Cenerentola“ an der Welsh National Opera in Cardiff, als Conte Alberto in „L’occasione fa il ladro“ und als Le Pêcheur in Rossinis „Guillaume Tell“ bei den Tiroler Festspielen in Erl, ebenso wie als Ernesto in „Don Pasquale“ am Teatro Carlo Felice in Genua auf der Bühne.

Zukünftige Pläne umfassen seine Wiedereinladung an die Welsh National Opera, diesmal als Conte Almaviva in „Il barbiere di Siviglia“ und auch die Wiederaufnahme von „Così fan tutte“ in Kopenhagen.

Weitere wichtige Partien und Engagements der Jahre davor waren Ramiro in „La Cenerentola“ an der Oper Leipzig und an der Oper Florenz; Almaviva in „Il Barbiere di Siviglia“ an der Semperoper Dresden, am Königlich Dänischen Opernhaus in Kopenhagen, am Teatro Carlo Felice in Genua, am Teatro Verdi in Padua und am Teatro Bicentenario in León (Mexico),  Monsieur le Bross in Donizettis „Olivo e Pasquale“ in Bergamo und Isacco in „La Gazza Ladra“ am Teatro alla Scala di Milano unter Riccardo Chailly. Bei den Bregenzer Festspielen stand er als Aronne in „Mosè in Egitto“ auf der Bühne, beim Rossini-Festival in Pesaro ist er seit seiner Teilnahme an der Rossini-Akademie unter Alberto Zedda regelmäßiger Gast, u.a. als Ali in „Adina“ in „La Gazza Ladra“ und in „Il Viaggio a Reims“.

Schon früh konnte der junge Tenor sein Repertoire erweitern: So war er u.a. in Salerno als Nemorino in „L’elisir d’amore“ unter Daniel Oren, als Ernesto in Donizettis „Don Pasquale“ beim Juli Festival von Trapano, als Don Ottavio in „Don Giovanni“ in Vicenza, als Don Basilio in „Le Nozze di Figaro“ am Carlo Felice in Genua und in Como, Brescia, Cremona und Pavia, als Red Whiskers, und Squeak in Brittens „Billy Budd“, als Goro in Puccinis „Madama Butterfly“ in Genua oder als oder Abate di Chazeuil („Adriana Lecouvreur“) in Como, Pavia, Cremona und Sassari zu erleben.

2008 war Matteo Macchioni der jüngste Tenor, der je das Finale des Pavarotti-Wettbewerbs erreichte. Dort hörte ihn Carlo Bergonzi und unterstützte ihn auf seinem weiteren Weg. 2012 war er dann auch Finalist beim Internationalen Toti dal Monte Gesangswettbewerb.

Nach seinem Erfolg in der italienischen Casting Show „Amici“ und einigen weiteren TV-Auftritten, bot man ihm schon bald diverse Fernsehshows an, u.a. ebenfalls 2012, eine Sendung mit dem Titel „Mozart a modo mio“, gefolgt von „Wagner a modo mio“, die große Popularität erlangten.

Seinen ersten Musikunterricht erhielt Matteo Macchioni bereits sehr früh. Nach Abschluss seines Klavierstudiums widmete er sich ganz dem Gesang.

Matteo Macchioni / Repertoire

Repertoire

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