Full Production Cast & Crew

Cast & Crew

Conductor
###############
Stage director
#############
Costume designer
##############
Set designer
############
Chorus master
#############
~
Orchestra
Orchestra of the Royal Opera House
Chorus
Royal Opera Chorus
~
Andrea Chénier (Andrea Chenier)
##############
Carlo Gérard (Carlo Gerard)
############
Maddalena di Coigny (Maddalena of Coigny)
###################
La Contessa di Coigny (The Countess of Coigny)
##################
Bersi
#############
Roucher
###########
Un Incredibile (The Incredible)
##########
Mathieu
#############
Madelon
###########
Pietro Fléville (Pietro Fleville)
####################
L'Abate (The Abbe)
###########
Schmidt
############
Il Maestro di Casa (Master of the Household)
###############
Dumas
#############
Fouquier-Tinville
##########

About the work

Andrea Chénier (2015) This event is scheduled to begin at 7pm GMT on Friday 8 January 2021. The performance will last approximately 2 hours 5 minutes. The Royal Opera performs David McVicar's spectacular, almost cinematic production of Umberto Giordano's gripping opera set in late 18th-century Paris, with Jonas Kaufmann, Eva-Maria Westbroek and Željko Lučić in the lead roles. Beautiful, historically-informed sets and costumes by Robert Jones and Jenny Tiramani evoke the profound social changes of pre- and post-revolutionary France. Giordano's Andrea Chénier, with libretto by Puccini's regular collaborator Luigi Illica, is loosely based on the life and tragic death of the French poet André Chénier, who was executed during the French Revolution. The premiere on 28 March 1896 was a great success, and the opera became one of the most popular examples of the verismo (literally, 'realist') movement in Italian opera. Giordano perfectly captures contrasting atmospheres through music including an elegant Gavotte (Act I) and the popular revolutionary songs 'La Carmagnole' and the 'Marseillaise'. Not surprisingly, the tenor protagonist gets some fine solos, including Act I's ardent aria 'Un dì, all'azzurro spazio', and Act IV's nostalgic 'Come un bel dì di maggio'. But Maddalena and Gérard also have wonderful arias: the former's impassioned 'La mamma morta', and the latter's tormented 'Nemico della patria?' as he wrestles with his conscience in Act III.
...More
© 2021 Operabase Media Limited or its affiliated companies. All rights reserved.