Organization

Conductor

Emmanuel Villaume

Stage director

Mireille Delunsch

Set designer

Rudy Sabounghi

Costume designer

Lighting designer

Dominique Borrini

Singer

Bass-baritone

Frédéric Caton

The Marquis de la Force

Tenor

Thomas Bettinger

The cavalier de la Force

Soprano

Anne-Catherine Gillet

Blanche de la Force

Contralto

Madame de Croissy

Lucie Roche

Lila Dufy

Sister Constance of St. Denis

Mezzo-soprano

Marie-Andrée Bouchard-Lesieur

Mother Marie of the Incarnation

Patrizia Ciofi

Madame Lidoine

Sébastien Droy

Chaplain of the convent

Baritone

Timothée Varon

The jailer

Chorus master

Salvatore Caputo

Etienne Duhil de Benaze

First commissioner

Thierry Cartier

Second commissioner

Bass

Igor Mostovoi

An officer

Simon Solas

M. Javelino

Gaëlle Flores

Mother Jeanne of the Holy Child Jesus

Amélie de Broissia

Sister Mathilde

Opéra National de Bordeaux

Orchestra

Orchestre National Bordeaux Aquitaine

Others

Bordeaux National Opera Choir

Angers Nantes Opéra

Dialogues des Carmélites -  (Dialogues of the Carmelites)

Bordeaux

France

Grand-Théâtre

Dialogues des Carmélites Poulenc

Public

Private

Dialogues of the Carmelites

Approved

Grand Théâtre de Bordeaux

Opera - DIALOGUES DES CARMÉLITES / POULENC - Grand-Théâtre - from 2.06 to 11.06 - from 8 to 115 € period in an intimate and poignant scenography. It is the light that then takes a central part of the staging, as if to translate the detachment from reality, at the moment when the Carmelites, caught in the torment of the French Revolution, go towards the ultimate sacrifice. But more than a drama, it is a tribute to the collective strength of the female being embodied in this deeply human opera. Emmanuel Villaume, direction Mireille Delunsch, staging With Frédéric Caton, Thomas Bettinger, Anne Catherine Gillet, Mireille Delunsch, Lucie Roche, Lila Dufy, Marie-Andrée Bouchard-Lesieur,https://www.opera-bordeaux.com/opera-... 
Fri 09-20:00 👁️ audio description: book headphones and program in Braille or large print for free

For her first production in 2013, reproduced here, Mireille Delunsch had chosen to faithfully and soberly serve Poulenc's purpose by keeping the period clothes in an intimate and poignant scenography. It is the light that then takes a central part of the staging, as if to translate the detachment from reality, at the moment when the Carmelites, caught in the torment of the French Revolution, go towards the ultimate sacrifice. But more than a drama, it is a tribute to the collective strength of the female being embodied in this deeply human opera.

English

Pour sa première mise en scène en 2013 reprise ici, Mireille Delunsch avait choisi de servir fidèlement et sobrement  le propos de Poulenc en conservant les habits d’époque dans une scénographie intime et poignante. C’est la lumière qui alors prend une part centrale de la mise en scène, comme pour traduire le détachement du réel, au moment où les Carmélites, prises dans le tourment de la Révolution française, vont vers le sacrifice ultime. Mais plus qu’un drame, c’est un hommage à la force collective de l’être féminin qu’incarne cet opéra profondément humain.

français

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Co-Producer