Name: L'italiana in Algeri
Start: 2006-05-13T00:00:00.000Z
End: 2006-06-03T00:00:00.000Z
Location: John F. Kennedy Center for the Performing Arts

Organization

Mezzo-soprano

Mezzo-soprano (+1)

Olga Borodina

Isabella

Tenor

Juan Diego Flórez

Lindoro

Bass

Ildar Abdrazakov

Mustafa

Baritone

Bruno De Simone

Taddeo

Soprano

Lyubov Petrova

Elvira

Soprano (+1)

Leslie Mutchler

Zulma

Valeriano Lanchas

Haly

Conductor

Riccardo Frizza

Washington National Opera (The Kennedy Center)

Orchestra

Mahler Chamber Orchestra

Others

Arnold Schoenberg Choir

John F. Kennedy Center for the Performing Arts

Grand Théâtre de Provence

L'italiana in Algeri -  (The Italian Girl in Algiers)

Washington D.C.

United States

Aix-en-Provence

France

A complete and organized madness": it would be difficult to find a more apt description than that of the writer Stendhal to describe this surrealist face, composed by Rossini in a matter of weeks (he claimed 18 days) and premiered in May 1813. In the madcap comedy L'Italiani in Algeri, dadaist sensibilities meet onomatopoetic Italian opera buffa in two acts brimming with frenetic rhythms—seeming to anticipate the films of Charlie Chaplin and Buster Keaton—and yet, also, with great tenderness in the arias of Isabella and her fiancé Lindoro, and with the patriotic fervor that animated Venice during the era.

The corsair Mustafà, bored with his wife Elvira, wishes to find a new companion. He intends to marry Elvira off to his Italian slave Lindoro (Maxim Mironov), himself preoccupied with his fiancée Isabella (Christianne Stotijn) in Italy. Unbeknownst to him, Isabella has already made plans to come find Lindoro in Algiers—and upon her arrival, she charms Mustafà and fools him into thinking he has won her affections. Can she keep up the ruse long enough to escape back to Italy with her beloved?

L'italiana in Algeri

Opera

The Italian Girl in Algiers

Approved

Production booklet

Further reading