Organization

Singer

Nina Maria Plangg

Füchsin

Ingrid Habermann

Königin

Ulla Pilz

Fräulein

Alexander Mayr

Prinz

Dieter Kschwendt-Michel

Held

Rupert Bergmann

König

Conductor

Rossen Gergov

Stage director

Stephan Bruckmeier

Romana Amerling

Moritz

Johann Leutgeb

Lakai

Lighting designer

Martin Knaupp

Loma Döring

Costume designer

Andrea Költringer

Repetiteur

Benjamin McQuade

Dramaturge

Jury Everhartz

sirene Operntheater

Orchestra

Jugendstiltheater

German

Prinz, Held, Füchsin

Vienna

Austria

siren opera theater 2008 | Art Nouveau Theater Vienna
https://www.sirene.at/archiv/2008-pri...| 1st act here:https://youtu.be/S0cSxvImmuc
Switch on subtitles! |https://issuu.com/sirene47/docs/prinz...

PRINCE, HERO AND VIXEN | Opera buffa (2nd act: FROM TODAY TO TOMORROW) A colorful, evil and comical piece about three generations of a fairytale monarchy of music. Akos Banlakyhttps://www.sirene.at/site/assets/fil...
Text. Kristine Tornquist https://www.sirene.at/site/assets/fil...
World premiere October 25, 2008 - Vienna, Art Nouveau Theater am Steinhof

0:00:00 00. Prince, hero and vixen - 2nd act
0:00:3101. foreplay. The son wakes up and ends the fairy tale (beginning of the 2nd act)
0:03:0202. scene and rap. Moritz 'arrival in the middle (06:40 Moritz-Rap)
0:09:2403rd scene. Sped up time in the queen's drawing room
0:13:5304. Cabaletta. It was all in vain (17:14 I follow the red thread)
0:18:535th scene. It rings in the east and in the west
0:22:3206. Recitative and scene. The Wars of the Roses
0:27:4707th scene. Revolution in the throne room
0:37:3208. Recitative, scene. The vixen arrives (37:54 Moritz, 39:11 Vixen)
0:40:0109th duet. Prince and Vixen (41:36 I was a shadow fencer)
0:42:4510th septet, stanzas. In the throne room (45:42 The king is crying) (51:13 What can I say)
0:54:5811th final. Bridge - the idyll
0:58:09 12. Do what you want *** (subtitles missing: see below)
1:01:0900. Applause 2nd act Many years - which, as is well known, can go very quickly in fairy tales - later. The son of the vixen, Moritz, who grew up alone with his mother in the far north, longs for a family and, above all, a father. To look for him, he travels to his grandparents in central Europe. With his arrival, the sleeping kingdom wakes up. Moritz learns that he has not one but two fathers and asks them both over the phone. He competes with the king for the best adventures and honestly but undiplomatically reveals to the queen a remark by the king, whereupon she is preparing for the war of the roses. The hero arrives first, with the help of the lackey, overthrows the old king from the throne and quickly mutates into a slipper hero. The vixen also travels after her son and finally falls in love with the prince who arrives last, who has matured into a character in the Far East. The fact that the birthmarks on the queen's back have faded causes a state crisis that is only resolved when the king learns to cry and the hero is overthrown. The throne remains empty because the king, lackey and fräulein meet at the queen's divan to play the bridge. Prince and Vixen are planning their love's journey, while their son Moritz finally has time to look after the world to improve. Vixen. Nina Maria Edelmann Queen. Ingrid Habermann Miss. Ulla Pilz Moritz. Romana Amerling Prince. Alexander Mayr hero. Dieter Kschwendt-Michel König. Rupert Bergmann Lakai. Johann Leutgeb Manila. Clemens Allesch. Claudia Bauer. Michalina Bienkiewicz. Vincent Fleischhacker. Natalie Gruber. Daniela Hamberger. Sarah Heier. Michael Hintringer. Martina Huber. Alexandra Hundsdorfer. Edda Lahmann. Mareike Luka. Jelena Nincevic. Lila Ramharter. Sina Schönfeld. Simone Werner. Manuela Zechner Das Rote Orchester Violin 1. Nandor Szederkenyi Violin 2. Kanako Gergov Violin 3. Julia Szederkenyi Viola 1. Agnes Führlinger Viola 2. Nora Szederkenyi Violoncello. Merike Hilmar double bass. Franz Koenig flute. Claudia Schiske clarinet. Thomas Schön trumpet. Matthias Maderthaner harp. Katrina Szederkenyi accordion. Alexander Shevchenko piano / harpsichord. Benjamin McQuade percussion 1. Helmut Maurberger percussion 2. Svetlozar Dimitrov director. Stephan Bruckmeier conductor. Rossen Gergov picture. Andrea Költringer mask. Brigitte Wigelbeyer accompanist. Benjamin McQuade assistant director. Doris Schumacher light. Martin Knaupp. Loma Döring technology. Gary Maurer stage construction. Sladan Krklec. Wolfgang Mittelberger. Enrique Martini. Carlos Abila. Gustavo. Feyko ceramics. Natalia Kukelka internships. Jasmine Zemani. Hanna Malha's tailoring. Amrei Platter Production Manager Art Nouveau Theater. Bettina Brenneis. Gary Maurer production manager siren. Maria Haneder-Kulterer. Jury Everhartz I have to free the chickens from the penal camps. To write the right of life over that of property. I have to scrape the landmines from the landscapes. I still have to clean off the oil spills from the sea. Disarm the terrorists and the terror hunters. Cancel the debts of the Third and Fourth World. Rob the rich and give gifts to the poor. Enlarge the globe and shrink the globe. Increase the hourly wages of textile workers. I have to raise organic farmers must eat vitamins and improve the monarchy. Moritz 'tasks in the final (No. 12)

Jugendstiltheater am Steinhof

siren opera theater 2008 | Art Nouveau Theater Vienna
https://www.sirene.at/archiv/2008-pri... | 2. Akt: https://youtu.be/Z7rJ2DMsgrY
Switch on subtitles! |https://issuu.com/sirene47/docs/prinz...

PRINCE, HERO AND VIXEN | Opera buffa (1st act: FROM YESTERDAY TO TODAY) A colorful, evil and comical piece about three generations of a fairytale monarchy of music. Akos Banlakyhttps://www.sirene.at/site/assets/fil...
Text. Kristine Tornquist https://www.sirene.at/site/assets/fil...
World premiere October 25, 2008 - Vienna, Art Nouveau Theater am Steinhof

0:00:00 Prince, Hero and Vixen - Act 1
0:00:3501. foreplay, scene. The prince at his father's throne (start of the opera)
0:09:4302. Aria, recitative. Queen's drawing room where time almost stands still
0:17:0303rd scene. Colorado steppe. Prince, hero and vixen
0:19:244th scene, recitative. The Queen's drawing room stirring her coffee violently
0:22:545th scene. Nevada desert. Prince, hero and vixen
0:27:1506th scene. The king's mood is gloomy
0:31:0207th scene, song. Gas station in Arizona. The vixen is injured (35:47 Colorado)
0:38:1008th scene, monologue. The king ponders. The queen broods too
0:47:2709. Recitative, Arioso. The hero reports to the prince
0:49:2610th scene. The queen gets up and running
0:54:0411th duet. Prince and vixen on the other side of the globe in their beds
0:58:2312. Scene, Recitative. Thronsaal
1:02:4313th scene, rumba. The hero woke up all night (1:03:45 The night of love)
1:04:3514th scene, trio. Visit of the Queen
1:08:0315. Duet, trio. Captains of lust
1:13:4316a. Recitative, Arietta. The staff suspects the fall of the monarchy
1:17:2516b. Rondeau, scene. Dying race, the kings
1:22:1717th scene, song, recitative. Border with Mexico (1:24:48 Arizona)
1:27:1518th scene. Queen's drawing room
1:30:0019th scene. Farewell in Acapulco
1:31:1521st scene. King of Manila
1:33:3522a. Lullaby. In the far north, the vixen sings her child a lullaby
1:38:1622b. Voice of the unborn child Act 1 In a fairytale monarchy somewhere in Europe. The king has entrenched himself on his throne against all questions and problems and lets himself be served by the lackey. The queen sends her maid for hot coffee and watches, bored, how it gets cold. The two have had nothing to do with each other for a long time. They expect their son to do the same. But then the chosen princess throws them a spanner in the works. The vixen, as she is called, does not want to wait for the adventures of her prince, marry and become queen, as is customary, but wants to take her life into her own hands and experience adventures - she hitchhikes through America on a motorcycle. Against her will, the prince follows her with a rental hero through the Wild West. At the crucial moment, the prince sends his hero in front of him - and messes everything up: the vixen and the hero get closer than the prince would like. However, the hero leaves the vixen as soon as the fee he has received from the prince has been processed. The royal wedding is bursting. Disappointed, the vixen and her offspring move to the far north, the prince to the far east and the hero to faraway places. They leave the queen and king perplexed in their disastrous monarchy in the middle. Vixen. Nina Maria Edelmann Queen. Ingrid Habermann Miss. Ulla Pilz Moritz. Romana Amerling Prince. Alexander Mayr hero. Dieter Kschwendt-Michel König. Rupert Bergmann Lakai. Johann Leutgeb Manila. Clemens Allesch. Claudia Bauer. Michalina Bienkiewicz. Vincent Fleischhacker. Natalie Gruber. Daniela Hamberger. Sarah Heier. Michael Hintringer. Martina Huber. Alexandra Hundsdorfer. Edda Lahmann. Mareike Luka. Jelena Nincevic. Lila Ramharter. Sina Schönfeld. Simone Werner. Manuela Zechner Das Rote Orchester Violin 1. Nandor Szederkenyi Violin 2. Kanako Gergov Violin 3. Julia Szederkenyi Viola 1. Agnes Führlinger Viola 2. Nora Szederkenyi Violoncello. Merike Hilmar double bass. Franz Koenig flute. Claudia Schiske clarinet. Thomas Schön trumpet. Matthias Maderthaner harp. Katrina Szederkenyi accordion. Alexander Shevchenko piano / harpsichord. Benjamin McQuade percussion 1. Helmut Maurberger percussion 2. Svetlozar Dimitrov director. Stephan Bruckmeier conductor. Rossen Gergov picture. Andrea Költringer mask. Brigitte Wigelbeyer accompanist. Benjamin McQuade assistant director. Doris Schumacher light. Martin Knaupp. Loma Döring technology. Gary Maurer stage construction. Sladan Krklec. Wolfgang Mittelberger. Enrique Martini. Carlos Abila. Gustavo. Feyko ceramics. Natalia Kukelka internships. Jasmine Zemani. Hanna Malha's tailoring. Amrei Platter Art Nouveau Theater. Bettina Brenneis. Gary Mason siren. Maria Haneder-Kulterer. Jury Ev

Prinz, Held, Füchsin: Prinz, Held und Füchsin Banlaky

Public

Prinz, Held und Füchsin

Approved

A production of sirene and Jugendstiltheater in cooperation with -tonWerk-

...your text seems like a magical castle to me, with countless doors and gates, secret passages and connections, casemates and blind shafts: a path leads from a baroque royal fairy tale to a road movie, under the frozen boredom of the royal couple à la Bergmann a hellish kitchen is steaming. ..and the characters!: scheming footman and lonely queen; prince who, chasing love, grows into man, princess, who, fleeing from love, grows into woman; a cold Hemingway hero; a king who learns to cry; a boy born into the unknown who finally brings everyone together - so how should my musical associations not be similarly expansive? don't expect anything good: there will be figured bass with walking bass, love duet with echo (of the excluded), simultaneous love arias, a lullaby that is also passacaglia (finale 1. Akos Banlaky to Kristine Tornquist

English

Eine Produktion von sirene und Jugendstiltheater in Zusammenarbeit mit -tonWerk-

...dein text kommt mir wie ein zauberschloss vor, mit unzähligen türen und toren, geheimgängen und verbindungen, kasematten und blinden schächten: aus einem barocken königsmärchen führt ein weg ins roadmovie, unter der erstarrten langeweile des königspaars à la bergmann dampft eine höllenküche...und die figuren!: intrigierender lakai und einsame königin; prinz, der die liebe jagend zum mann, prinzessin, die vor der liebe flüchtend zur frau wächst; ein kalter hemingway-held; ein könig, der das weinen lernt; ein junge, ins ungewisse geboren, der schliesslich alle zusammenführt - wie sollten also meine musikalischen assoziationen nicht ähnlich ausladend sein? erwarte nichts gutes: es wird generalbass mit walking bass geben, liebesduett mit echo (des ausgeschlossenen), simultane liebesarien, ein wiegenlied, das gleichzeitig passacaglia ist (finale 1. akt) und couplets und cavatinen, melodram und kampffuge, und rachearie mit trompetengeschmetter...oper eben, ohne moral, wie die märchen sind, wie das leben ist: mit vielen türen und toren, geheimgängen, kasematten... Akos Banlaky an Kristine Tornquist

Deutsch

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Co-Producer