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Tenor

Antonio Signorello

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Obtained his diploma in clarinet in Catania, his hometown, and then graduated from DAMS in Bologna, after obtaining diplomas in specialization courses at the Accademia Chigiana in Siena and at the Accademia Musicale Pescarese, and after winning many national and international competitions, as a very young man he performed an intense concert activity as a clarinetist in Italy (RAIDUE, Teatro alla Scala – under the direction of R. Muti and W. Sawallisch) and abroad (Czech Republic, Germany, France); he also recorded the CDs Atelier Musicale del XX secolo with Ensemble Garbarino and Rare Contemporary Sonatas with pianist Véronique Garnier.
He trained at the school of singing of tenor Vittorio Tosto and ob- tained the diploma in this discipline at the Conservatorio “G. Verdi” in Milan, then specializing with Nicolai Gedda. 
Winner of the IV Contest “Romanza da Camera” in Rome, he per- formed Requiem K626 by Mozart with soprano Cecilia Gasdia at the Teatro Comunale Traiano in Civitavecchia and at the Auditorium San Fedele in Milan he sang the title-role in Salvatore Giuliano by L. Ferrero.
He has performed several operatic roles in various theaters and musical festivals, both national and international, in Italy, Switzerland, Germany, France, USA, Canada, Argentina, Japan: he was Il Duca di Mantova in Rigoletto, Alfredo Germont in La traviata, Manrico in Il trovatore, Ismaele in Nabucco, Rodolfo in Luisa Miller, Ric- cardo in Un ballo in maschera, Radamès in Aida by G. Verdi, Faust in Faust by C. Gounod, Nemorino in L’elisir d’amore by G. Donizetti, Jago in Otello by G. Rossini, Pollione in Norma by V. Bellini, Giasone in Medea by L. Cherubini, Turiddu in Cavalleria Rusticana by P. Mascagni, Canio in Pagliacci by R. Leoncavallo, Pinkerton in Madama Butterfly, Rodolfo in La bohème, Mario Cavaradossi in Tosca, Renato Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Calaf in Turandot, Luigi in Il tabarro in G. Puccini, Conte Danilo in La vedova allegra by F. Lehár, Andrea Chénier in Andrea Chénier by U. Giordano, Don Josè in Carmen by G. Bizet, Samson in Samson et Dalila by C. Saint-Saëns.
He was also the tenor soloist in the following compositions of chur- ch music: Messe Solennelle en l’Honneur de Sainte Cécile by C. Gounod, Stabat Mater by G. Rossini, Messa da requiem by G. Verdi. 
With the pianist Atsuko Nieda, which whom he recorded the CD Pausa, Antonio Signorello has performed in various concert venues in USA (Carnegie Hall, Lincoln Center for the Performing Arts, NY National Opera Center), in Canada (Toronto Columbus Center), in Japan (Tokyo Opera City, Yokohama Minato Mirai, Osaka Phoenix Hall, Kyoto Barocc Salle, Kobe Minato Mirai), in Argentina (Laboratorio Escénico Musical-Ópera y Actuation in Buenos Aires)
As director of “La Compagnia di Canto Vittorio Tosto” for which he directed several operas (Il trovatore, Aida, Norma, Carmen, Turandot, Cavalleria Rusticana, Pagliacci, Andrea Chénier, Samson et Dalila) and multimedia shows (Quell’amore di Francesca, Forme all’Opera) in which music, theatre and image blend together in a happy marriage.
Recently he was awarded at the Music International Grand Prix of New York (May '22), at the London International Music Competiti- on (July '22) and he was invited by the Opera na Zamku of Szczecin (Poland) to participate at the XXII Grand Tournament of Tenors at the Teatr Letni w Szczecinie (September '22).

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