As Enrico, Malte Roesner was brilliant both vocally and on stage. The role was ideally cast with the baritone, seeing as he was able to present his large vocal range in desired appropriate color through out. (translated from German)
with warm, full sound (translated from German)
Roesner’s Doristo gives not only his splendid resonant voice to the plethora of female sound but its weight. And we welcome it. Round and luxuriant, from opening scene [...] to Finale, [...] Not a drop of unnecessary chastity, even in idea, here.
In any case, the role of Doristo was robustly sung by German bass-baritone Malte Roesner. His deep, dark voice was powerful.
With his dark-toned bass-baritone, Malte Roesner excelled in the Süssmayr songs.