Profile reviews

As Enrico, Malte Roesner was brilliant both vocally and on stage. The role was ideally cast with the baritone, seeing as he was able to present his large vocal range in desired appropriate color through out. (translated from German)

09 April 2010www.bs-live.deAlkmini Laucke Metallinou

with warm, full sound (translated from German)

06 June 2010www.braunschweiger-zeitung.deAndreas Berger

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Past Production Reviews

L'arbore di Diana, Martín Y Soler

Aug 2017

D: Mark Streshinsky

C: Robert Mollicone

Cast: Nikki Einfeld, Christine Brandes, Maya Kherani, Molly Mahoney, Kyle Stegall, Kathleen Moss, Jacob Thompson, Malte Roesner

Exciting & Enticing

Roesner’s Doristo gives not only his splendid resonant voice to the plethora of female sound but its weight. And we welcome it. Round and luxuriant, from opening scene [...] to Finale, [...] Not a drop of unnecessary chastity, even in idea, here.

14 August 2017operawire.comLois Silverstein

New Venue & New Operas

In any case, the role of Doristo was robustly sung by German bass-baritone Malte Roesner. His deep, dark voice was powerful.

13 August 2017berkeleydailyplanet.comJames Roy MacBean

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Recital, Various

Jul 2017

Cast: Malte Roesner, Samuel Levine, Aurora Perry

Mozart' Vienna

With his dark-toned bass-baritone, Malte Roesner excelled in the Süssmayr songs.

28 July 2017www.berkeleydailyplanet.comJames Roy MacBean