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Past Production Reviews

7
Die Zauberflöte, Mozart
D: Paul Carr
C: José Miguel Esandi
Dorset opera festival

Hannah Sawle brought off all the difficulties for which the role of the Queen of the Night is notorious

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01 September 2022www.gramophone.co.ukGeorge Hall
Die Zauberflote

Her mother, played by Hannah Sawle, looking magnificent in a black and silver gown, despatched both the formidable Queen of the Night arias with confidence and technical accomplishment’

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01 October 2022www.opera.co.ukBrian Robins
Acis and Galatea, Händel
D: Bence Dávid Kaló
C: Jeremy Carnall
Acis and Galatea at Dorset Opera Festival 2021 review: Beautifully poignant

British-based Hungarian director, Bence Kalό, really made the most of this opportunity to showcase his talent.

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31 August 2021www.express.co.ukMartina Bet
Manon Lescaut, Puccini
D: Christopher Cowell
C: José Miguel Esandi
Manon Lescaut review

Dorset Festival Opera’s production boasts a true star performance.

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26 July 2022www.thestage.co.ukGeorge Hall
Le Cid, Massenet
D: Christopher Cowell
C: Jeremy Carnall
The week in classical: Swap’ra gala; Le Cid review – challenging the mainstream

Opera Holland Park, London; Dorset Opera, Bryanston school, Blandford Forum A star-studded gathering of female opera talent provided the most harmonious of rallying cries. And a Massenet first in deepest Dorset

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04 August 2018www.theguardian.comFiona Maddocks
Le Cid review, Dorset Opera: Massenet rarity's first ever British staging proves hugely enjoyable

With the world première of Donizetti’s L’Ange de Nisida at Covent Garden, Mascagni’s rarity Isabeau at Holland Park and Verdi’s neglected Alzira redeemed by the Buxton Festival, this has proved a jamboree month for trainspotting opera buffs. Fans of the French romantic repertory can now thrill to the novelty of the first ever British staging of Massenet’s Le Cid – presented by the wonderful Dorset Opera, a summer camp accommodated in the idyllic grounds of Bryanston School, with a reputation for distinguished work created by students collaborating (albeit in limited rehearsal time) with first-rate professional soloists.

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25 July 2018www.telegraph.co.ukRupert Christiansen

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