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Profile reviews

8
Tosca – Royal Opera House – Winter 2022

Josef Jeongmeen Ahn, a Jette Parker Artist, took on the role of Angelotti with great conviction – a true star in the making.

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29 November 2022www.london-unattached.comFiona Maclean
Maria Agresta captivates in latest ROH revival of Madama Butterfly

...Josef Jeongmeen Ahn as the rejected Prince Yamadori were both well-judged.

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13 September 2022bachtrack.comDavid Truslove

Past Production Reviews

6
Il barbiere di Siviglia, Rossini
D: Moshe LeiserPatrice Caurier
C: Rafael PayareChristopher Willis
Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’

...Josef Jeongmeen Ahn as Almaviva’s servant Fiorello, this cast was as vocally perfect as one could wish.

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04 February 2023www.thearticle.comMark Ronan
Tosca, Puccini
D: Jonathan Kent
C: Daniel Oren
Royal Opera House – Jonathan Kent’s Production Of Puccini’s Tosca – Natalya Romaniw, Freddie De Tommaso & Erwin Schrott; Conducted By Daniel Oren

The other roles are sung with clarity, especially Josef Jeongmeen Ahn’s spry Angelotti.

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12 December 2022www.classicalsource.comCurtis Rogers
Natalya Romaniw, Freddie De Tommaso, & Erwin Schrott in Puccini's Tosca at Covent Garden

Josef Jeongmeen Ahn made a fine Angelotti indeed, well sung and believable...

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19 December 2022www.planethugill.comPlanet Hugill
Madama Butterfly, Puccini
D: Moshe LeiserPatrice Caurier
C: Nicola Luisotti
Maria Agresta captivates in latest ROH revival of Madama Butterfly

...Josef Jeongmeen Ahn as the rejected Prince Yamadori were both well-judged.

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13 September 2022bachtrack.comDavid Truslove
Così fan tutte, Mozart
D: Beka Savić
C: Nabil Shehata
"Così fan tutte" with the Munich Chamber Opera

Even those who have experienced Mozart's "Così fan tutte" in various productions will not remember any female Don Alfonso. But the guest performance of the Munich Chamber Opera in the Cuvilliés Theater makes it possible. Since no replacement could be found for the sick Frederik Tucker, the assistant director Anna-Lu Rausch played in a black baggy suit, a loose tie and a top hat, while Philipp Gaiser sang from the sheet music to the side. Otherwise a rather cynical mastermind, you now saw a mixture of sad clown and Marlene Dietrich, who often looked on in amazement and with a sphinx-like smile as she watched the experiment of the loyalty test, which in the second act almost tipped from comedy to tragedy.

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04 December 2019www.sueddeutsche.deKlaus Kalchschmid