His warm voice and his irresistible presence have made Argentine tenor José Cura one of the most endearing artists of the last decades: Radames, Otello and Samson of exception, he has sung them from Vienna to New York. Singer but also director, conductor or composer, he is a man of passion. He finally comes for the first time to the Capitol. Accompanied by piano and guitar, he will be the dream interpreter of the melodies that make up the soul of his country.
Hilda Herrera (1933)
From the bottom of you (Pablo Neruda)
Maria Elena Walsh (1930-2011)
War postcard (Maria Elena Walsh)
Carlos Guastavino (1912-2000)
Lend me your handkerchief (León Benarós)
The Rose and the Willow (Francisco Silva y Valdés)
The girls (piano solo)
Sonnet IV (Francisco Gómez de Quevedo and Santibáñez Villegas)
Sonatas n ° 2 - presto (guitare solo)
The dove was wrong (Rafael Alberti Merello)
Dead Bird (Luis Cernuda Bidón)
Old garden (Luis Cernuda Bidón)
The albeador (León Benarós)
Jose Cura (1962)
I thought I would die (extrait du cycle If I die, survive me, Pablo Neruda)
INTERMISSION
Carlos Guastavino
Romance of José Cubas (León Benarós)
Argentine flowers (excerpts, León Benarós)
- Cortadera, plumerito
- Bell
- How beautiful the honeysuckle!
- Oh, aljaba!
I'm going to retire (León Benarós)
I, teacher (Alma García)
When it just rained (León Benarós)
Pampamapa (Hamlet Five Quintana)
Alberto Ginastera (1916-1983)
The dance of la mosa donosa (piano only)
Song of the tree of oblivion (Fernán Silva Valdés)
Astor Piazzolla (1921-1992)
Adiós nonino (guitar only)
Chiquilín de Bachín (Horacio Ferrer)
Carlos Guastavino
Joy of Solitude (Luis Cernuda Bidón)