Biography
“Her voice literally floated past the space she stood in and “lived in” and created remarkable, layered beauty.” — OperaWire Ms. Zhang makes debuts with the New York Philharmonic and Shanghai Symphony Orchestra for the world premiere of Aaron Zigman & Mark Campbell’s Émigré (Lina Song), which will be recorded by Deutsche Grammophon. She makes her Los Angeles Opera debut in Don Giovanni (Zerlina), her debut with the Boston Symphony at Tanglewood in Così fan tutte (Despina), and a debut with Fort Worth in La bohème (Musetta). She also joins the Chamber Music Society of Lincoln Center in Fauré’s La Bonne Chanson. Following her triumphant Carnegie Hall debut in J.L. Adams’ Vespers of the Blessed Earth, Ms. Zhang joins the Philadelphia Orchestra once again to perform the work at the Saratoga P
Performance credits
Upcoming performances Today Onwards
Past performances 2019 — Yesterday
Saint-Saëns and Fauré, FauréSaint-Saëns
Chamber Music Society of Lincoln CenterVoice
View program, cast and crewRoméo et Juliette (Romeo and Juliet), Gounod
National Centre for the Performing ArtsJuliette (Juliet)
View cast and crewFeatured past performances
Saint-Saëns and Fauré, FauréSaint-Saëns
Chamber Music Society of Lincoln CenterVoice
View program, cast and crew
Roméo et Juliette (Romeo and Juliet), Gounod
National Centre for the Performing ArtsJuliette (Juliet)
View cast and crew
Upcoming performances
14Long Yu conducts Aaron Zigman's Émigré, Zigman
New York PhilharmonicSoprano I
View cast and crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Verbier FestivalBarbarina
View cast and crewUn ballo in maschera (A Masked Ball), Verdi
San Francisco OperaOscar/Otto (Oscar)
View cast and crew
Biography
“Her voice literally floated past the space she stood in and “lived in” and created remarkable, layered beauty.” — OperaWire Ms. Zhang makes debuts with the New York Philharmonic and Shanghai Symphony Orchestra for the world premiere of Aaron Zigman & Mark Campbell’s Émigré (Lina Song), which will be recorded by Deutsche Grammophon. She makes her Los Angeles Opera debut in Don Giovanni (Zerlina), her debut with the Boston Symphony at Tanglewood in Così fan tutte (Despina), and a debut with Fort Worth in La bohème (Musetta). She also joins the Chamber Music Society of Lincoln Center in Fauré’s La Bonne Chanson. Following her triumphant Carnegie Hall debut in J.L. Adams’ Vespers of the Blessed Earth, Ms. Zhang joins the Philadelphia Orchestra once again to perform the work at the Saratoga P
