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Past Production Reviews

22
La Traviata, Verdi
D: Cameron Menzies
C: Rebecca Lang
Opera review: International team shine in La Traviata

Australian soprano Siobhan Stagg as Violetta looked splendid in a crimson ball gown set against the monochrome Parisian party scene.

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13 September 2022www.irishexaminer.comCathy Desmond
Review: La Traviata - NI Opera's dazzling production full of emotion and relevance

“As the great Ukrainian baritone Yuri Yurchuk, who played Giorgio Germont, Alfredo's father, told me, this production majors in psychological truthfulness: "Cameron wanted us to know why we were doing or saying things". This was clear in De provenza, Georgio's diktat to his son about the unwisdom of his romantic course.

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14 September 2022www.irishnews.comJane Hardy
Sweeney Todd: The Demon Barber of Fleet Street, Sondheim
D: Walter Sutcliffe
C: Sinead Hayes
Sweeney Todd, The Demon Barber of Fleet Street, Belfast’s Lyric Theatre, February 6th

A night of frights and delights with more than one twist at the end. Do not expect a Disney ‘Happily ever after’ conclusion.

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07 February 2019culturecrushniblog.comConor O’Neill
La Bohème, Puccini
D: Cameron Menzies
C: Rebecca Lang
La Bohème“Guaranteed crowd-pleaser

“the sparky relationship between Yuriy Yurchuk’s swaggering Marcello and Emma Morwood’s pert Musetta feels authentic and true to the magic of Puccini’s melting score.”

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20 September 2021www.thestage.co.ukJane Coyle
La bohème review — Northern Ireland Opera comes back to life with Puccini

“… Yuriy Yurchuk makes a characterful Marcello,.”

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21 September 2021www.thetimes.co.ukRichard Morrison
Rigoletto, Verdi
D: Walter Sutcliffe
C: Gareth Hancock
A gripping, dark, moving Rigoletto from Northern Ireland Opera

As Gilda, 2015 Cardiff Singer of the World 2015 Nadine Koutcher captured the virginal naivety of her character with childlike-innocence. Throughout her performance she was technically perfect, top notes were executed with complete precision. The chemistry between her and Catana was engaging and intense, which made one feel as if one was intruding on that special relationship between father and daughter. By the final scene this had grown to such a depth, one felt the virtual hammer blows of the curse as she died in his arms.

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01 October 2018bachtrack.comLeighton Jones

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